International Fleeces–Meet Talia!

You simply must meet Talia Sommer of International Fleeces, and read how she began her business because of a mosquito, and her love of spinning. Her website is beautiful and informative, and she sells everything the spinner or fiber artist needs to dive into the wool and never come out!

I am interested in natural dyeing techniques, and plan to do some of this over the summer. How providential that I received her newsletter today, promoting the joy of dyeing with natural dyes!

International Fleeces Newsletter

Her pricing is extremely reasonable, and she has a wide range of fibers (I cannot wait to get my hands on this baby camel and silk tussah blend at only $4 per oz.) Go visit her and sign up for her newsletter!

Talia also writes a very informative and well-researched blog. As a new spinner, I am learning the differences between the fibers–wool, plant fibers, blends, and what sheep was that?  Talia has a series in her blog of “Focus on Fiber” in which she gives great information on breeds, their history, and the characteristics of their wool. Interested in Merino, Jacob, Romney, or White Faced Woodland?

But mainly I like Talia for her story and her picture. Doesn’t she just look like someone you’d like to know? I think so.

Screen Grab of "About Us" with Talia

There’s Magic in the Spinning

Loose Alpaca wool

So what’s the big deal?  I’ll tell you–a spinner takes a handful of loose, random wool from  a farm animal, and turns it into thin strands of usable yarn, and now we can all wear clothes.

Usable yarn! We can make clothes!

Okay, so it really hasn’t been a big deal for several hundred years, but for several thousand years before that, it was a very big deal!! A spinner was a magician of sorts.

Taking loose, random wool and making usable threads and yarns….How?? Actually it’s a pretty simple bit of physics. Spinning adds twist to the fibers such that they are locked together, and can no longer be drawn apart. Until the twist is added to the wool, it’s not usable as thread or yarn.

Wool converted to usable thread! Amazing!

The spinner controls the drafting and the twisting with her hands—drafting with the back hand and controlling twist with the front hand. Drafting while spinning is the art of pulling the fibers to slide away from each other just the perfect amount to then add the twist you want to achieve the thickness of yarn.

From keeping sheep warm to keeping us warm

A magic spinner

This is the magic that happens between the two hands of a spinner.

Yeah, yeah, a modern spinning machine in a mill can spin faster with more guaranteed uniformity.  But there is no magic in that.

From Fleece to Batts

The day I spent at Jacob’s Reward Farm was marvelous!  Arabella and I got to help Cindy prepare for the Maryland Sheep and Wool Festival, which is happening this weekend at the Howard County Fairgrounds.  Cindy wanted to take a dozen batts with her, and we were there to help.

What? What the heck’s a batt? Now I know!  We made over two dozen batts in Cindy’s kitchen.  We started with a pile of fleece that had already been washed and air-dried before we got there.  Sinking my hands into the pile of wool felt significant–earthy and real.  Similar to the way it feels to first plant something in the garden in the spring.

I sat at the kitchen table and “picked” the fleece–which means I separated the fibers, picked out any grass, and pulled apart any tight or snarled areas.  This work prepared the fleece to go more smoothly through the drum carder.

The drum carder is what actually creates the batt–which is simply a small sheet of  wool. The carder has teeth on two barrels that mesh against one another, and in that process, the fibers are further separated, smoothed out and aligned.  This alignment really helps the spinner, as it allows the fibers to grab the twist added from the spinning wheel more easily.

Arabella made all the batts by slowly feeding bits of the picked fleece through the two drums of teeth. She cranked the handle, the drums turned, she fed more fleece through, and just kept doing this until there wasn’t any more room on the drum for any more fleece.

The batt will be as wide as the drum carder’s width, because you basically just peel it off the teeth at this point, and you have a batt!

But making batts is also where the magic lies…..in blending.  After we had the batts completed from the fleece I was picking, Arabella went to get some white Alpaca fleece (this fleece is from Boaz).  She then rolled up a handful of Alpaca fleece inside the Jacob wool batt, rolling it like a sausage.  She then fed the sausage through the drum carder, and this process blended this gorgeous, silky, fine white Alpaca wool with the gorgeous, dense, grey Jacob wool to produce the finished batts.

It was a great day!